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Color & Finishing Reel

DaVinci Resolve ACES color suite & film emulation

4K DCI P3 & Rec709
Kodak 2383 & Fuji 3513 Looks

Film Grade Pass & ACES Transform

LOG footage converted to Kodak 2383 film print with rich halation & natural skin tones.

SKIN-TONE QUALIFIER ISOLATION

Precision Node Trees & Halation

Dedicated node structures preserving skin warmth while pushing background shadows into cool teal and indigo tones. Includes custom bloom and analog film grain.

#Skin Masking#Teal & Orange#Analog Halation

Skin-Tone Qualifier Reel

Qualifier mask isolating natural skin warmth.

SIDE-BY-SIDE MULTI-CAM DUAL CUT

Dual Angle Media Pair

Synchronized motion cuts showcasing complementary perspectives & detail passes.

Stage Neon Color Isolation

Custom hue curves boosting saturated stage lights.

Film Grain & Texture Pass

35mm grain overlay matched to resolution density.

HDR Master Contrast Pass

High dynamic range grade with deep black level retention.

HDR CINEMA MASTERING

High Dynamic Range Shadow Depth

Extending shadow detail while protecting highlight rolloff on bright light sources. Ready for theater projection and HDR OLED screens.

#HDR OLED#Highlight Rolloff#Shadow Retention

Kodak 2383 Grade Pass

Analog film print emulation.

Skin Qualifier Mask

Dedicated face isolation node.

Precision DaVinci Resolve node trees

ACES COLOR PIPELINE

Color grading is the final emotional coat of paint: it gives raw sensor data an indelible soul and atmosphere.

BRAVILD COLOR SUITE
VERTICAL SHORT-FORM SHOWCASE

Reels & Social Cut Gallery

Color Reel #1

Before/After grade transition.

Film Emulation Reel #2

35mm film halation demo.